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February 5, 2024
Kwan (Sex and Vanity) returns with another irresistible comedy of manners driven by marriage plots. Lady Augusta Gresham, daughter of the “self-absorbed” Arabella Gresham, is slated to marry Prince Maximillian zu Liechtenburg at a luxe Hawaiian resort. The ceremony is briefly delayed by a volcano eruption, then marred by each family’s discovery of the other’s mountainous debt. Most distressing to Arabella, however, is the unwelcome news that her son, Rufus, has fallen in love with the comparatively modest Eden Tong, a doctor, rather than wealthy Solène de Courcy, whom Arabella had invited to her daughter’s wedding in hopes of matching Rufus with Solène and thus securing her family’s welfare. The various festivities allow Kwan to indulge in his flair for vivid party scenes, such as a ball staged in an ice palace built with “frozen blocks filled with flowers and hauntingly lit so that the petals seemed suspended in space.” Kwan also delivers on his reputation for breezy prose, encyclopedic references to art and haute couture, and quick-witted dialogue laced with Cantonese. The author’s fans will devour this.
September 1, 2024
Kwan (Sex and Vanity) returns with another gossipy tale of riches, privilege, and racism. On the surface, this is the classic story of a titled family seeking to snag nouveau riche money through strategic marriage--even though the high-society heir loves the unwealthy girl next door. The deeper story examines how classism mixes with racism to create a potent self-loathing that can destroy generations. Kwan's sprawling cast is often ridiculously over the top, but they are shown to be products of their circumstances. Jing Lusi narrates the whole thing, from the omniscient narrator to each side character and even the footnotes in between. Many of Lusi's voices enhance Kwan's characterizations and break stereotypes, allowing listeners to glimpse layered personalities beyond the facades. Together, Kwan and Lusi demonstrate the humanizing side of even the petty or villainous characters, ensuring that the novel's lesson isn't just that prejudice is harmful but that it's a trap that limits the world of both perpetrator and victim. VERDICT A delicious story of excess and glamor, mixed with snappy dialogue, witty asides, glitzy galas, and, yes, true love.--Matthew Galloway
Copyright 2024 Library Journal, LLC Used with permission.
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