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November 24, 2014
Cassandra Campbell brings a relaxed, casual tone to her narration of this unauthorized biography of political comedian Jon Stewart. It’s hard to imagine Jonathan Stuart Leibowitz, born into an ordinary middle-class household in New Jersey, would grow up to become the satirical voice of a generation. Rogak chronicles this trajectory from childhood soccer player, to stand-up comedian, to Daily Show anchor. Along the way listeners learn of Stewart’s love of rock legend Bruce Springsteen, his supposedly mercurial temperament, and bits from his personal life. Most of this content is taken from previously published interviews rather than original reporting. To reader Campbell’s credit, she narrates Rogak’s superficial bio with a smooth, professional delivery that keeps the book moving at an easy pace for listening. She avoids trying to imitate Stewart’s voice, but manages to slip in just the right amount of humor when quoting him. This is an entertaining overview of Stewart’s life read well by Campbell. One only wishes the material had more depth. A St. Martin’s/Thomas Dunne hardcover.
August 11, 2014
In this pseudo-biography of Jon Stewart (né Jonathan Stuart Leibowitz), Rogak (Hillary Clinton in Her Own Words) packages a canned chronology of a figure's life and career. Starting from the very beginning, she tracks Stewart's childhood a short, Jewish kid in the WASPy neighborhood of Lawrenceville, N.J.; his adolescence as a class clown and talented soccer player; his first attempts at stand-up at the Bitter End and other New York haunts; his early stints on TV; his landing on The Daily Show in 1999; all 15 years of his tenure there up to the present; and all the various projects he has taken on in the meantime (including three books, several movies, award shows, and much more). While the thought-provoking questions surrounding Stewart's tenuous, and often contradictory, relationship to his work as both a fake-news-show host and an influential political pundit hang in the air, Rogak does little to shed new light on the topic. Instead, she borrows from other journalists to create an uninspired collection of repurposed quotes, which are interspersed with her own repetitive prose.
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