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Kaleidoscope

ebook
1 of 1 copy available
1 of 1 copy available
The thirteenth in Gail Bowen's beloved and award-winning Joanne Kilbourn mystery series promises to be the best of them all: some very bad things happen very, very close to home, and Joanne may never be quite the same again.
 
"Security for any one of us lies in greater abundance for all of us." For many years, this was the core of Joanne's political beliefs, but for a number of reasons, she has drifted away from it. But on the day Joanne retires from her university teaching post, she has a dream about her first husband (murdered many years ago), and this line comes back vividly in it.
 
Soon, she is forced to experience the truth of what, for most of her life, had just been a good closing line for a political speech. The night after Jo and Zack have dinner with Zack's colleague Margot and one of his law firm's biggest clients, the developer Leland Hunter, Jo and Zack's house is blown up. They're at the lake with daughter Taylor and their dogs, but the house is destroyed. And that is only the first of several terrible incidents. It isn't long before Joanne is witness to events far more distressing than even a destroyed home. She begins to understand what it's like to live in a world where she can count on nothing.
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    • Publisher's Weekly

      February 27, 2012
      Complicated family difficulties overshadow the crime solving in Bowen’s 13th mystery starring retired academic Joanne Kilbourn (after 2010’s The Nesting Dolls). A controversial building project, known as the Village, has ratcheted up the tensions in Regina, Saskatchewan. The developer, Leland Hunter, whose attorney is Kilbourn’s husband, believes he’s just clearing out a slum to create a model neighborhood that would rejuvenate downtown Regina. Since the death of the development’s project manager, Danny Racette, in a demolition accident, rumors have circulated that it was no accident that the explosives went off while he was still inside an old factory. Word on the street is that Red Rage, a radical group opposed to Hunter’s plan, murdered Racette to stop the Village. Meanwhile, Kilbourn’s connection to Hunter puts her family in jeopardy. The slow pace and less than satisfying ending make this one of the weaker installments.

    • Kirkus

      April 1, 2012
      A pitched battle over the redevelopment of a troubled area of town reminds Joanne Kilbourn that her beloved Regina, the capital of Saskatchewan, Canada, is prone to all the troubles of modern cities, including murder. Wealthy Leland Hunter, a client of Joanne's husband Zack Shreve, is bent on transforming the North Central sector of the city by means of The Village Project. Agitator Riel Delorme, who was a student of Joanne's before he dropped out of university and she retired, is so determined to stop him that he's enlisted the help of two local gangs, The Warriors and The Brigade. Members of both gangs who think Riel's Che Guevara tactics aren't effective enough have formed a splinter group, Red Rage, that aims to take a harder (read: more violent) line in opposing The Village Project. It's a mixture bound to have combustible results, and fire soon strikes Joanne and Zack's garage, blown to bits on a night they fortunately happen not to be home. As conflicts rage over the development, Joanne keeps discovering new wrinkles. Her daughter Mieka, a caterer who developed UpSlideDown, a playground that was an earlier casualty of the urban war, is in love with Riel Delorme. Leland's already complicated life--in addition to battling the gangs, he's about to wed his pregnant lover, barrister Margot Wright--is further troubled by repeated sightings of his unhinged ex-wife Louise, whose friend Sage Mackenzie, a cop-turned-lawyer, can barely keep her out of jail on stalking charges or worse. And Zack is preoccupied with the murder defense of Cronus, an antipathetic slumlord who insists on testifying that he didn't murder his girlfriend, police officer Arden Raeburn, after their weekly round of rough sex. As usual in Joanne's world (Burying Ariel, 2000, etc.), the vicissitudes of the plot are less memorable than the celebrations of ongoing life: two weddings, a child birth, several parties and a great deal of civilized but enthusiastic connubial sex.

      COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

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